Do societies idealize romantic love

Do our societies idealize romantic love at the expense of other forms of love?

Responding to a prompt offered up in a workshop I’m participating in (The Dharma of Relationships, Paramis in Action), as is my nature, this question has flipped on the switch of a huge spotlight to explore what lies behind the myths we live by, most particularly “romantic love.”

My first, on-the-surface response, is that yes, they (societies) do. Then I think I would have to narrow it down to which societies do because I’m unsure whether the Leavers, as Daniel Quinn called those who live(d) in harmony with the “wild world,” do or did. It’s definitely a myth that has morphed with the separation of man from living in harmony with nature, living in that deep respect for the interconnectedness of all that exists from the tiniest cosmic particle to the humpback whale.

I view this question to be asked in a very active tense as if it is a conscious objective of “societies,” which I don’t believe it is. Has it in fact been a conscious idealization by “societies,” or, instead, has it been a very unconscious metamorphosis that began with religion, with a “God” “out there,” and that “God giving its only son to man” so that mankind can go to that better heavenly place after death, again separate from “heaven on earth.” It began with power and greed usurping the individual’s path, most particularly through dogmatic religions, I feel, wherein grasping greed has slimed its way into all aspects of one’s life with the proposed end result being that an individual’s goal is to obtain more — more wealth, more possessions, more status, more love (as if love is an object to obtain/attain).

For some reason, I reject that societies, in the active tense, idealize romantic love. Instead, as with all the delusions humankind has wrapped itself in, from the first agreements we unconsciously make with our parents from birth, with the communities we’re raised in, we unconsciously create myths and adopt these beliefs, as part of the circle of Dependent Origination. And we suffer because of it, just as we suffer from all of our clinging and grasping, whether it be dogma, possessions, love, or life itself.

Many societies did, and some still do, have arranged marriages. Romantic love did not enter into the world of accepted myths, according to Joseph Campbell, until it began to appear in stories like Iseult and Tristan. Dennis Patrick Slattery says, “Myths are living symbols. They serve each of us individually and collectively as guides to aid us in harmonizing our interior world with the surrounding landscape we inhabit. They serve us on a personal level as ordering and organizing principles whose aim is to offer our lives a sense of coherence, not perfection. Joseph Campbell believes that myths reveal the movement of psyche, indeed ‘of the whole nature of man and his destiny.'” So romantic love is a myth that has evolved but I don’t believe it is or was actively idealizing love; just laying on another veil of delusion, unconsciously shoring up delusions without serving a higher self.

Unless we were raised in a Buddhist environment, I think adopting and creating myths we live by is something we do individually from our point of separation from our mother’s body and with the induction of agreements we received from our parents and from our communities. Again, I don’t believe society itself has done anything consciously. I don’t even think that the individuals who continue to grasp for power do it consciously. It’s an individual human dilemma encapsulated in Dependent Origination, through which the Buddha’s teachings shine a light on the path out of the mythical dream. It might have begun with the instinct of all living things on this earth to continue, to procreate, allowing the loins of humankind to lead the way in that deception in order to continue. Or it might have started when mankind separated from living in a harmonic oneness with nature, moving into me/it, mine/its, mine/yours, which process, of course, always left a burning yearning in the heart that something was missing.

Some species mate for life, some don’t. In order to continue the human race, until the last century, the human myth was that marriage of a man and a woman is the only permitted form of marriage (and some are attempting to continue that myth). But marriage is an institution that came out of survival, and now, in our day and age, we do not need to marry, nor remain in partnership to survive — physically — nor should we continue to procreate as, clearly, 8 billion people is straining the threads that bind us together.

But clearly, we need love to survive, as Harry Harlow proved with his wire-monkey experiments in the ’50s, as social scientists repeatedly affirm when trying to heal the injured people rising up through our societies around the world where parents — unconscious and injured themselves and in their quest for more possessions or just more basics for survival — can’t find, don’t make, or lose the time to love their children, their fellow humans, themselves.

Because of the cause-and-effect path of my life, I’ve never quite lived within the bounds of what society projects on the cinder-block walls it’s built to surround and separate itself. Yes, I’ve stuck my toe into romantic love several times throughout my life. It always burned me. Or maybe I didn’t follow the rules or know how to do it. But whether it was my path, whether it was the deep burns suffered, or whether I instinctively knew that romantic love was not to be idealized,  I’ve chosen to explore the myths I’ve lived by. Saying society actively did something feels like it once again removes the individual from seeking the truths behind the myths we live by.

Since I’ve found the Buddhist path, I’ve peered behind the veils slip down. I’ve discovered a deeper loving kindness to be the fertile ground that sustains all and from which all springs. Loving kindness is an ever-present moment.  Romantic love is an ever-changing delusion, and at least for me, at 73, a distant past.

Earth Day Earth Way

I add my name
To those with more fame
Who point out the blame
Of those who inflame
The senses of the earth
And all those who gave birth.
And I add my name to the cries of dearth
Who others claim to have no worth.

Seldom sustained in political discussion
While ignoring earth’s pending destruction,
I watch their words flow like butter
Into the cracks and into the gutter.
But from all thoughts that I hold dear,
And discarding both fear and spear,
I embrace all hearts who are tuned to hear
The only course we must now steer.

So, turning from the glare
Of that deepening despair
We must rise up from the chair
And daily live the prayer
To wear love on our sleeve
From which force we shall cleave
From the fabric we weave
A strength no one may thieve.

By car, by train, by boat

Ah, to travel. And for what purpose? To experience places beyond my front yard, of course. By car, the other place might include a grocery store or the local used bookstore, or the post office; it might include the experience of visiting a friend and catching up. And, of course, there are the greater adventures by car, traveling to our great national parks, Yellowstone to Mesa Verde, and places in between, camping under the stars.

But to experience far-away places, my most favored way to travel is by sailboat. All that I need is on board: my sleeping quarters, food, water, clothing, and books to read. Once the sails are set, the sea pulls me into her arms where I’m rocked to sleep or tossed in its more exuberant moments of tempest and storms. The longer I’m at sea, the more peaceful and joyful I feel. My ego lies down, and I find myself to be little more than a piece of dust in the immensity of the universe floating on this blue globe in an endless black space. Though a sailboat can, and must arrive, in larger ports in order to clear customs – those malignant cities on the edges of land masses big or small – a sailboat can move away from those noisy, dirty places and slip into the untouched bays and coves, less touched by “civilization.”

I no longer have a sailboat, and it’s been many years since I’ve sailed. Sailing is slow, as travel should be, traveling 100 to 200 miles a day, so much different than I would travel now. To visit another country, I zoom to an airport to hop on a plane to take me to the other side of the world, flying over great expanses of land, missing all the sights to be seen had I been down on the ground. But when I arrive in that foreign land, I stay in cheap hostels, and I always opt for public transportation — the local “chicken” buses or trains, however it is the local people travel — so that I can experience the place to which I’ve traveled and not the mirror image reflected in hotels or promoted through the travel brochures back home.

What is “success”?

Humanity is the only organism that even contemplates “success.” All other organisms just go about the process of living — breathing, eating, nesting, procreating, dying — without any contemplation of succeeding or failing. For we monkey-minded individuals, we set goals, and success is overcoming our self-imposed challenges or hardships — whether mental, physical or spiritual — by maintaining a continued focus as we climb to the top of our mountains.

There are times, success may be defined by others. As a writer, success is when readers discover my book and — thoroughly enjoying it — they recommend it to others or buy it as a gift to share (Aweigh of Life under my pen name of e.d. snow). But as the author of that book, my sense of success is very personal. Since writing is a long and arduous journey, success is in having completed that journey, having gotten it published, and ultimately feeling confident that it’s well written and I accomplished what I set out to achieve.

But the definition of “success” is a spinning top. For a drug addict or alcoholic, success could be scoring the next fix or it could be finally turning the key and committing to a clean-and-sober life and establishing a supportive community. What is deemed “success” will always be relative to who is watching the movie called Life and how thoughtful the perceived goal was.

They do say there are no winners in war, but for those engaged in it, success for the aggressor is killing and destroying as much as possible until the defender is crushed and surrenders. As the defender, success is in gathering the forces of spirit and the resources and tact to crush the aggressors, driving them from their space and territory. For the UN and peacekeepers, success is in garnering and maintaining a peace treaty.

For me, success can never be achieved if the goal is wealth and riches, which I believe  fuels of all wars, because those who aspire for such will never be satisfied. They will clamor for more. Success is in finding peace within our own internal wars and damping down the weapons of anger, jealousy, greed, sloth, envy, restlessness, and, yes, doubt.

Success is witnessed in the achievements of little seven-year-old Aneeshwar Kunchala who  writes his own poetry and creates his own YouTube blogs on saving the earth and gets international recognition for it. Success is having the courage to give voice in order to change the human dialogue, to bring focus to the existential issues facing humankind, those voices being heroes like the Greta Thunbergs, Martin Luther King, Jrs., and Nelson Mandelas of the world, who took on the challenge to be spokespeople for all.  Yes, like writing a book, ultimate success will depend upon how many hear the cries and react and act to effect the change necessary for humanity’s survival.

Success is being able to touch the depth of one’s spirit and heart in the midst of the worst of adversities and from that depth gather the strength to help others.

Success  is being able to be a still pond in the midst of all challenges in life.

 

 

 

 

 

 

Is there a book that changed my life?

Pondering on the question of whether or not a book changed my life, I would be quicker to say there was one book that woke me up and ultimately steered me down a certain path. I’ve often wondered if I even had a choice, and if I’d chosen differently who would I be had this book not appeared in my life. Did it change me? It definitely steered my course towards being mindful and making changes in how I behave in life — not that I was always successful, but it got the wheel turning. And I cannot ignore how blatantly obvious the Universe was in placing this book in my path. Such an event is not to be ignored! So the wheel begins to turn with Ouspensky’s In Search of the Miraculous as a book that possibly changed my life.

In 1969, 19 years old, I sailed from Hawai’i to San Francisco, falling in love with deepwater sailing. Upon returning to Hawai’i, I bought the Wanderer II, a 24-foot gaff-rigged cutter, with all intentions of sailing around the world by myself. Besides the sails and necessary equipment to sail, there were two books onboard. One was The Autobiography of a Yogi by Yogananda (a book I never got around to reading until 2010 when I moved to Costa Rica).

The second was In Search of the Miraculous, which conveys the teachings of George Gurdjieff, a Russian philosopher, mystic, and spiritual teacher. It was deep and heavy reading for my naive and unworldly mind. I remember studying that book like my life depended upon it though. There was something being taught that no one, no education, had introduced me to. And I’m happy to say, Houston, there was ignition and lift-off from the ground of sleepwalking into a glimmer of a higher consciousness. Though I would fall asleep again and again, the wheel was turning and the direction of my life seemed to have shifted.

I ended up selling the Wanderer a year later, freeing myself to crew on other boats. I made two more deliveries from Hawai’i to the Mainland before I caught a boat to the South Pacific where I sailed and lived for seven years. The ocean itself deepened my focus, lending its contemplative space to my mystic ruminations. I eventually returned to the U.S., as a parent, entering the path of family and responsibility. As those years rolled past, the spark was kept alive by books and workshops by the then current popular spiritual teachers like Gary Zukav and Deepok Chopra and others.

Of course, I’d indulge in novels that brought tears and laughter, as well understanding and compassion, but I continued reading books in pursuit of this higher consciousness, in search of that mystic enlightenment. Those readings began to lean towards Buddhism. Of course, I’d read Siddhartha in high school; but I revisited it with a deeper understanding. I read David Wright’s Why Buddhism is True, The Essence of Buddhism by Traleg Kyabgon, Jack Kornfield’s books, as well as dozens if not hundreds of others, devouring the philosophy and thought.

Then I read Peter Coyote’s memoir, The Rainman’s Cure. The wheel of life turned me a bit further down the path. Coyote’s book was pivotal in me realizing that reading about Buddhism was far different than the practice of sitting on the cushion and actually meditating. It was with that awareness instilled by Coyote’s memoir that I began, and continue, my meditation practice in the Thai Forest tradition and the teachings of Ajahn Chah.

Becoming more mindful and focused, I found that my meditation practice provided the discipline to finally sit down and write my memoir, Aweigh of Life, the experiences of those seven years sailing and living in the South Pacific 45 years previously.

The process of writing Aweigh of Life was — quite unexpectedly — an extremely cathartic experience. After all, one must be very honest with oneself when writing a memoir, and in that honesty, well-hidden “secrets” are often revealed. Though it’s a “sweeping tale” (as one reader put it) of my adventures, including the unique experience of giving birth to my first child on a remote island in Papua New Guinea, and interlaced with historical, cultural and geographical descriptions, the writing process itself brought into the forefront of my awareness what had been driving me my entire life to be aweigh of life. Recognizing myths I’ve lived by — I have found — heightens my meditation practice, my mindfulness, and the wheel keeps turning.

So I could say that Aweigh of Life is that book that changed my life because of the cathartic experience in writing it and the next level of awareness it brought to me? Or I could say Ouspensky’s In Search of the Miraculous was that book, 50 years ago, that ignited that spark to pursue a more awake life of contemplation, meditation, and mindfulness?

Or I could say it all just is the way it is. I am the way I am. Nothing changed me.

Who knows for sure if a book or anything at all changed me?

It all just was the way it was.

It just is.

Rain

On the metal roof of the van in which I live, the dance begins. The solitary tap dance of a single drop gathers momentum as its companions are called forth to perform. In dis-gust, the wind blows those tiny dancers aside, to drip down the side of the van, as if to conclude the rain dance. But the misty cloud of falling water that followed and had been waiting in the limbs of trees, gathering the strength of the storm, becomes a grand orchestra whose beat thumps and jumps, pumps and dumps down in its thicker tones, baritone plops and bass-string pops. For a time, it plays a more harried, almost frantic, beat as it pounds down, selfishly obliterating all other sounds … before it’s silenced by the sun.

Whispers of rain came as

Tinkles of sprinkles
Dancing like galloping ants
Rustling green foliage

Musical stanzas
Orchestral liquid movement
Ghosting petrichor

Thunderheads roiling
Shadowy billows retreat
Memory puddles.

Why do I write?

I write to give form to a feeling – whether emotional, physical or perceptive – so that others might have the experience for themselves or that they might better understand what I experienced, if they feel the need. I write to give form to a visceral sensation that otherwise would disappear into the nothingness of life.

I write to capture old transmissions coming from afar, believing that everything in life already exists and that writers are simply receivers, picking up the threads of ancient stories to tell again. Having no barriers as they move through the ether, I write them down quickly before they’re gone without even an echo. I write to reconstitute the endless variations of existence revealed in those transmitted stories.

I write because I have thoughts that others don’t understand. I write to stay in touch with my reality and to avoid an argument about their reality.

I write with the hope that I will transport myself — or a future reader — to realms into which my imagination travels, to worlds and places that otherwise would simply not exist.

I write to capture dreams.

I write to argue against perceived injustices.

I write that I might filter myself before I speak, that I might not injure another with criticisms or harsh words. I write to express an anger that, at that moment, should never be expressed, and yet my soul clamors for the catharsis that comes with its expression. Once expressed, I’m content to leave those angry words to rest silently on paper or in the bowels of my computer.

I write to explore meanings I’ve given to past experiences so that I might go back through the time line of my life and revisit what beliefs I’d clung to at that time. I write to see the myriad of iterations I’ve lived on this earth, capturing those myths I lived by at that moment before I wrapped myself into different costumes life called me to wear. Like a photographer, I’m driven to capture that image, those moments in time to preserve them so that, as an armchair visitor, I can reenter that imprisoned moment.

I have old family photos that go back into the early 1800s, but there are no words or stories told of their aspirations, fears, trials and tribulations. Now, with the world becoming more digitalized where photos may never be passed down to future generations, it becomes even more important that I write to preserve what life was like back in “these old days.” I write for a grandchild or great-grandchild and those that follow that they might be better able to understand the epigenetic dysfunction that haunts them, so they might understand what they inherited, or simply that they know the stories of the bloodline from which he or she descended. As my memory fades with the years, I write for the seventh generation. But I also write for me, to capture those moments, minutes — now years — of memories that are moving so far out into the universe of time that they’re becoming foggy ghosts with little form.

I write because I can’t help myself.

Haiku for Uvalde

No comprehension
In these life’s ragged moments
Empty in the void

Hear the mother hen
Squawking distress heartbreak grief
Skunk’s hunger sated

Loud rolling thunder
Image fading too slowly
Empty weeping arms

Handcuff mothers’ fear
Protecting children dying
More guns men laughing

Peace found within fields
Memory of loving days
Mountain heart endures

Back from Bedlam

Apropos, I suppose, I woke up this morning with James Blunt’s “You’re Beautiful” running through my head. The song appeared on his first album Back to Bedlam (named after a famous psychiatric hospital in England). Of course “bedlam” is descriptive of my anguished frustration and confusion as to “how can this keep happening” — these senseless murders of young children. With the tune playing through my mind as I came out of sleep, I was also well aware of the counterpoise necessary to rebalance myself after giving permission for that one voice to blow off some steam and heed the call to get loud.

I reflect that thirty-plus years ago, when I was 40, I started training in kung fu. At first it was simply a disciplined way to get exercise, but as I moved into the art, it became one of my deepest psychological journeys.

Early in my training, I was tasked with learning a series of moves: a straight punch to the face, an elbow to the chin, and knee to the groin (all with full control because that, in essence, was what we were training to have:  control). I performed the move — quite well, I thought — with hardness. “Look at my warrior strength!!” my ego beamed.

My sifu stopped me and said, “Good, but now I want you to do it slowly and softly.” I looked at him, and I said, “Well, I can’t do that. That’s not who I am,” so ingrained in this persona that who “I was” was hard and strong and direct. But he was not going to argue with me; he gave me the choice to do it slowly and softly or to get on the ground and do 50 full-body pushups with my partner kicking me in the stomach on each plank. I kid you not, but without hesitation I dropped to the ground to do that instead of having to be soft.

My sifu, not expecting that to be my choice, stopped me. In essence, the choice changed to “do it soft and slow or end your training.” Because I felt “it” happening, I wanted to argue that I could not do “soft,” and I told to him, “I will cry if I have to do that.” He said, “That’s okay.” I replied, “No, it’s never okay to cry, especially in kung fu.” He chuckled and said, “It’s always okay to cry.”

A higher, wiser Self stepped up beside me (I now recognize it as the Spirt side of Mind/Body/Spirit) and “held” me while I went through that controlled move. And I cried. “Again,” my sifu said. Again, I did it softly and slowly, and I cried more deeply. “Again,” he said.  And I sobbed as I touched feeling so scared and vulnerable in allowing myself to be soft. Through the following seven years of training in kung fu, my challenge was to learn to “yield,” to honor my yin energy, to find the balance between the yin and the yang. I achieved Brown Belt rank before arthritic issues at age 47 (probably the physical manifestation of years of hardness) ended my physical training.

Though most people move through life disguised and dressed in one persona (mine at that time was a hardened, closed-off warrior superwoman), if we become aware, we recognize we all have different voices, or selves, within us, each of which needs to be recognized and honored in order to free ourselves. It was during those years of training in kung fu, in my search to rebalance myself, I was privileged to be introduced to  a wise woman and practitioner of Voice Dialogue, a process through which a person learns to identify and become aware of these different voices or selves in order to become a more balanced individual.  Though far from practiced in the process myself, I recognized its importance in helping me achieve an emotional equipoise in my life.

Back in those days of kung fu, I had to learn to listen to this young, weak child that was never allowed to cry and that had to wear armor to get through life. Not only had that armor ceased to serve me, it had become destructive. Through kung fu — and Voice Dialogue and shamanic work, and eventually meditation — I got in touch with my world of archetypical energies that all serve me when in balance, but also can be destructive or hindering when one outshouts the other.

The Lover’s voice in James Blunt wrote and sang those beautiful songs. “You’re Beautiful” is an incredibly sad song about unrequited love, expressing the intense emotions of James Blunt when he saw his girlfriend with another man and he didn’t do anything about it (in the official video he jumps endlessly off a wall, down, down, down to …?).

Yesterday my Warrior ranted and played the bagpipes and banged on the drums of frustration. This morning, my Priest sat in silent meditation. In the bedlam of our “modern world,” I continue to listen for and await the voice of wisdom and spirit to illuminate the way.

May peace and love find us all and be the loudest voice and the brightest light to show the path forward in the bedlam of our world.