A fear to overcome

MY FEAR OF LOSING MYSELF

If there flowed a river, I would swim it
If there stood a mountain, I would climb it
If there were a meadow, I would dance in it
If there grew a flower, I would smell it
If there sang a bird, I would rejoice in it
And these things — and I — would remain the same.

But

If there were a man in whom all these things existed,
I fear I would need run from him….

For if I entered into the strength of his mountain
Or swam and danced and sang with his soul,
Within the flowing scent of this new quivering song,
Surely I would change — then who would I be?

On the wings of that siren’s song
I return to the mountain,
To the beauty of the meadow and flowers,
To the rapture of the bird,
I return to me.

Old Journals – Old Memories

I found an old journal from 1996 that I haven’t looked at probably since I stowed it away. Old memories. One of the first entries reads: “No one can play the strings of your song. I realize that now. I realize what I keep playing is your laughter. What I keep playing is your love. It’s you I play, not me.” Though I allowed it to be a painful time, I’m glad I recorded its journey where I had allowed myself to “fall in love” with the most unavailable — and truly the most gorgeous — man on the planet.

How did I deal with my pain? Exactly as I always have: I jumped on a plane and flew away, this time to Florida, by myself. These are the thoughts that I recorded in a brand-new journal.

Wind on the mountain
Freedom pushing
Strength resisting
Isolation
Solitude of the eagle,
Of the hawk.
Everything trying to merge and
Everything trying to separate
Wholeness held in one hand
Loneliness wrapped in love
Love not knowing its own face
Love not seeing, remaining
Undiscovered and unseen.

(I only write poetry when wounded by love.)

A mockingbird sings, looking for love to touch its soul too. I wait for the sunset in Key West. Still thinking of that man. Can’t get into him. Never will. Can’t get away from him. …But I will. The broad arm of a mahogany leans across the second story patio of Mallory Square, giving shade, but my skin is fried by too much sun.  I can’t feel its cool brush. There’s a gentle clatter of ceiling fans in an effort to move air that’s too tired to move.

At the Italian Fisherman, another day, I sit on a patio at the water’s edge. I watch garfish and cat fish being circled by one small barracuda while shadows of pelicans pass over. At the table next to me are two fat women who are bitching about work in Minnesota: that they’re not allowed to wear perfume. The light breeze brings to me a strong odor of overpoured perfume clinging to their clothes as if telling their boss, “Fuck you. Smell me now.”

Later, traveling across the Everglades, heading to Clearwater, I notice a man following me in a gold Subaru. When the highway becomes four-lane, he hovers next to me, turning constantly to stare at me. It creeps me out. My imagination runs wild, as I imagine him taking down my license plate, and though it’s a rental, somehow he will find out who rented it, telling the agency some story to get them to give them my address. Damn my imagination. I slow way down, visibly taking out a pencil and paper while I drive, letting him know to beware that I am now taking down HIS license. He finally drives on ahead.

There are Native Americans in the Everglades that still live in — or at least build — thatched huts of bundled cattails — like the one I built for myself in New Zealand — but they put tar paper across the peak. A canal that borders Highway 41 is dotted with fishermen. The shacks might be their fishing shacks. In the distance a charcoal cloud, heavy with rain, hangs above the swamp that extends to the horizon. I learned later that a jet crashed into the Everglades — not within my vision or point in time — but 109 people died. The nose of the plane, the plane itself, was buried 30 feet deep in the muck. If anyone had survived the crash, the alligators were waiting. Salvage was not discussed.

Farther west, I met the green fabric of fields woven into the blue fabric of sky from which (for whatever reason), I weave in a quote by Annie Proulx: “We face up to the awful things because we can’t go around them.” That man — that man that I came to Florida to escape — is with me again, like a needle stuck in an old record. I must face why I am attracted to the emotionally unavailable. I already know why I get on planes and fly away when my heart is hurt.

I’m airport watching now on my way back to the Northwest, leaving behind plastic-fantastic. Key West is a fascinating amusement, but overall I dislike Florida. Sitting at Delta Gate 54A, a 25-year-old, hidden behind sunglasses, tells me: “…I was 17 then. A long time ago. I was a day late. Didn’t matter if I was a dollar short or a day late, my parents would take care of it.” He takes off his glasses to clean them on his shirt and puts them back on. “But now,” he says, “it’s the real world.” Yes, it is, I think.

I glance away and see an old man, with trembling hands, eating a nacho with jalapenos. He drinks water,  it shaking in his hand, but suddenly he stands up and moves away from a young woman who’s drinking a beer, changing tables. Then he changes tables again. He’s moving yet again when a long-haired man with a beeper, looking at each beep, distracts me.

Another man, older, without a chin, is standing nearby. He keeps pulling up his overly baggy pants in a way that accentuates his penis and balls. He looks like a child molester. Two indiscreet Native Americans walk by, carrying ceremonial drums. For some reason, the man I’m trying to erase from my heart and mind re-enters, a constant thrump, like the river flowing over rocks and boulders on its way to the sea. Conversations distract me. “Where’s she going to stay?” a man asks. “In the States,” she answers, jutting out her jaw. I didn’t hear the rest as the conversation blurred into a man talking about back surgery to the stranger next to him.

Yes, there are windows opening constantly in the pulse of time. I take it in, like a grouper’s mouth sucking in the unsuspecting dinner. I notice an elegantly dressed woman in colors that accentuate her aged tan and silvered hair. She sits alone, watching also, her hand lazily drooped over the arm of the chair, while mine is scribbling in my journal.

And then she rises, as do I, when boarding is announced.

A Clear-Flowing River — all the rest is just window dressing

First thing each morning, I put on my clothes — no, that’s not true.  First, after I jump out of bed, I scurry quickly five feet down to turn on my little heater in my van in which I live, and as that heat quickly changes the temperature from 39 to a passable 64, then I put on my clothes, often the same ones I wore the day before, but-for clean underwear and socks. I put on a saucepan of water to boil for my coffee while I grind my half cup of beans and put them in the French press, and then, a never-fail ritual, I turn on my laptop and check my emails.

I have five email addresses created for different reasons. They’re like different clothes I put on, or different hats worn for different occasions.

The first email I opened was a weekly post on CaringBridge, updating a friend’s journey with cancer. This week, five weeks after her treatment began, she is completely bald. She posed in the window of the camera lens in her baldness and in a colorful head wrap, trying on her new looks that she’ll wear for awhile.

She also shared a picture of her granddaughter’s sixth birthday, the Great Unicorn Gathering. With sparkles in her eyes and a smile, she, her granddaughter, was standing by a table of colorful cakes and cupcakes, also dressed in their own headdresses of white-“haired” frosted chocolate cupcakes, drizzled with something looking like strawberry syrup, and a round single-layer cake mounded with fresh raspberries and sliced almonds.

In her CaringBridge entry, my friend writes about the joy of her granddaughter’s little party. Also, she makes a comment about a “challenging” nurse she’d had to contend with during her last chemo appointment. Something that’s so special about my friend is her compassion and understanding of others.  This is often reflected, I think, in her filter and her ability to think before she speaks, making her the go-to school counselor for hundreds of children, and a dear person who has shouldered maybe too many of her friends’ secrets and woes. I too have taken my problems to her, where she’s listened deeply, and then asked those questions of me wherein the answers rested. A miracle worker, she is, revealing the one constant of life: the beauty of love and caring.

These are the thoughts I have as I look at these images she’s shared reflected in these window frames: her bald pate, her colorful head wrap. She emanates a beauty from within that overshadows any of the guises of clothes and hairdos she’s worn over the years.

She also wrote of the tears she cried as a friend shaved off the last tufts of hair that had clung to her head like flood-torn branches on a river’s edge, life’s river. But her current still runs strong and clear, and if obstacles appear, she is held safely by her husband and surrounded with the closest and most loving friends to help her remove those rocks and boulders or to portage her around, over, or through them. The love she’s given is returning thousandfold.

She is and always has been the most beautiful woman I’ve had the privilege to share my life with. Just as I get used to my thinning hair that’s come with aging, just as she watched her husband’s hair turn from dark to white (both of which were slow processes that slipped in through the cracks of time, while hers came upon her so quickly), she will get used to not having hair for a while. It’s just a different guise — or disguise — she’s trying on, while her beauty shines even brighter.

Right now, she’s the beauty of an acorn without its top hat, shiny and smooth. We already know — all of us who love her — that within that shiny, beautiful seed is a great, strong tree, burgeoning with life, strength, and love which is, after all, the beauty that always has and always will shine forth.

She is the clear-flowing river.  All the rest is just window dressing.

You know who you are, and I love you.